Songs About Thanksgiving

Thanksgiving has fewer songs of its own than the other holidays, so the playlist leans on what the day is really about: coming home, gathering at one table and giving thanks. A couple of these are old hymns, and one is a very long, very funny tradition.

Updated 2026

  1. 1

    Alice's Restaurant Massacree by Arlo Guthrie 1967

    The eighteen-minute story that plays on the radio every Thanksgiving.

  2. 2

    We Gather Together by Traditional 1597

    The hymn sung around tables for centuries.

  3. 3

    Over the River and Through the Wood by Traditional 1844

    The sleigh ride to grandmother's house everybody learns young.

  4. 4

    Thanksgiving Theme by Vince Guaraldi Trio 1973

    Cozy jazz piano straight from the Charlie Brown special.

  5. 5

    Home by Edward Sharpe and the Magnetic Zeros 2009

    A foot-stomping ode to wherever your people are.

  6. 6

    Homeward Bound by Simon & Garfunkel 1966

    The pull back toward home when you have been gone too long.

  7. 7

    Family Affair by Sly and the Family Stone 1971

    The tangled, loving reality of a full house.

  8. 8

    Harvest by Neil Young 1972

    A late-autumn meditation that fits the season perfectly.

  9. 9

    The Thanksgiving Song by Mary Chapin Carpenter 2008

    A tender, grown-up take on counting what you have.

  10. 10

    Thanksgiving by George Winston 1982

    Solo piano as warm and quiet as the afternoon light.

  11. 11

    The Thanksgiving Song by Adam Sandler 1993

    The goofy Saturday Night Live bit that became a tradition.

  12. 12

    Come Ye Thankful People, Come by Traditional 1844

    A harvest hymn of gratitude for the gathered crop.

Keep the music going

Thanksgiving songs: the holiday music forgot to write

Thanksgiving is the strange holiday with almost no music of its own. Christmas has thousands of songs, Halloween has its handful of anthems, but Thanksgiving, wedged between them, somehow never generated a canon, and the list above works with what exists: the gratitude songs, the home-and-family songs, the harvest and autumn entries that fit the day’s spirit even when they were not written for it. The catalog is smaller than the other holidays by necessity, but the gap is itself revealing, because the reasons Thanksgiving resists a soundtrack say something about what the day actually is.

The reason the holiday has little music is that its core themes belong to other genres. Thanksgiving is about gratitude, about family, about home, about the harvest and the turning year, and all of those have deep songbooks that simply are not labeled Thanksgiving. So the catalog above borrows honestly, gathering the gratitude anthems that fit the table, the family songs that suit the gathering, the autumn entries that match the season, and assembling from them the soundtrack the holiday never wrote for itself. The notes above are candid about which entries were written for the day and which were adopted into it, because honesty about the borrowing is part of serving the holiday well.

The gratitude at the center

What Thanksgiving does have, at its heart, is the purest gratitude occasion on the calendar, a day devoted specifically to counting what one has rather than wanting what one lacks, and the gratitude wing serves that directly. These are the songs about thankfulness, about the people at the table, about the year’s blessings counted out loud, and they suit the day better than any turkey novelty could. For a holiday whose entire point is the pause to give thanks, the gratitude songs are the real soundtrack, and the catalog leans on them because they carry the day’s actual meaning rather than its trappings.

The family and home wing serves the other half of the holiday, the gathering itself. Thanksgiving is the great homecoming, the day the scattered family reconvenes, the table set for people who traveled to reach it, and the songs about home and reunion fit it naturally. But the catalog keeps the honest note too, because Thanksgiving gatherings are famously complicated, the family tensions, the empty chairs, the ones who could not or would not come, and a few entries hold that truth as well. The holiday of togetherness is, for many, also the holiday of difficult togetherness, and the songs that acknowledge it serve the table more honestly than pure warmth would.

What the whole catalog understands is that Thanksgiving’s lack of a musical canon is not a failure but a reflection of its nature: it is a quiet holiday, a day about the ordinary blessings of home and food and family rather than the spectacle the other holidays trade in. It does not need anthems because it is not an anthemic occasion. It needs the gentle gratitude songs, the warm family entries, the autumn music that suits a day of turning inward toward what one already has. The catalog above provides exactly that, borrowed and assembled and fit to a holiday that was always more about the pause than the party.

Connected gatherings

The gratitude at the day’s center has its own deep shelf at songs about gratitude. The family that gathers around the table is celebrated at songs about family. The homecoming the day revolves around runs through songs about home, and the season it falls in belongs to songs about autumn.

If a fragment brought you here, a line about giving thanks, about gathering together, about coming home for the harvest, and the list above does not hold it, the search bar on our home page resolves remembered words into titles quickly.

One strand of the catalog deserves separate mention: the songs of the difficult table. Thanksgiving is marketed as pure warmth, but the reality for many is a gathering fraught with old tensions, political divides, the relatives who argue, the wounds that family reunions reopen, and a wing of entries above quietly holds that truth. These are not bitter songs but honest ones, acknowledging that the holiday of togetherness is, for a great many people, also the holiday of enduring togetherness, the day that requires patience as much as gratitude. Readers who find Thanksgiving stressful rather than warm report these entries as a relief, the acknowledgment that the perfect table is a myth and the real one is complicated. The catalog holds them because a genuine account of the day cannot pretend every gathering is harmonious, and the songs that admit the friction serve the tables that actually have it, which is most of them.

The page closes on the quiet the holiday was always about. Thanksgiving never got its own songbook because it never needed one; its themes were already sung, in the gratitude and family and home songs that other genres kept. The catalog above simply gathers them to the table, which is exactly what the day itself does with people. A holiday about counting blessings borrows its music the way it borrows its guests, from everywhere they already were, and the assembling is the whole warm point.