Songs About Valentine’s Day

Valentine's Day runs on these songs: the slow ones for the first dance, the soul classics for the card, the standards that have been setting the mood for seventy years. Pick a few and let the night do the rest.

Updated 2026

  1. 1

    My Funny Valentine by Chet Baker 1954

    The definitive Valentine standard, sung low and close.

  2. 2

    Let's Stay Together by Al Green 1972

    A warm, easy promise to stick around through anything.

  3. 3

    Crazy Little Thing Called Love by Queen 1979

    A rockabilly burst of brand-new infatuation.

  4. 4

    My Girl by The Temptations 1964

    Sunshine on a cloudy day, and the smile that comes with it.

  5. 5

    Can't Take My Eyes Off You by Frankie Valli 1967

    That horn-blast chorus that says everything at once.

  6. 6

    I Just Called to Say I Love You by Stevie Wonder 1984

    Love that needs no occasion, which makes it perfect for one.

  7. 7

    Cupid by Sam Cooke 1961

    A sweet appeal straight to the little archer himself.

  8. 8

    Be My Baby by The Ronettes 1963

    A wall of sound built around one irresistible ask.

  9. 9

    Kiss by Prince 1986

    Lean, funky and flirtatious from the first note.

  10. 10

    This Magic Moment by The Drifters 1960

    The hush of a first kiss, stretched into song.

  11. 11

    Earth Angel by The Penguins 1954

    A doo-wop slow dance that still fills a floor.

  12. 12

    Valentine by Jim Brickman ft. Martina McBride 1997

    A modern wedding-and-Valentine staple, plain and heartfelt.

Keep the music going

Valentine’s Day songs: love with a deadline

Valentine’s Day is the one day the culture demands a soundtrack for love, and the list above supplies it, though the catalog is smarter than the holiday. Because while Valentine’s is marketed as a day for the coupled and content, the actual population experiencing it is far more varied: the newly in love and the long-married, the single and the heartbroken, the ones celebrating and the ones just getting through it. The catalog serves all of them, because a day about love touches everyone’s relationship to love, and not everyone’s relationship to love is a greeting card.

The romance wing is the obvious center and the reason the holiday exists. These are the songs for the couples, the dinner playlist, the anniversary of a first date that happens to land near the fourteenth, the tracks that say what a card cannot. The catalog stocks the full range, from the grand declarations to the quiet intimate entries, because love expresses itself at every volume and a couple’s Valentine’s soundtrack should sound like them rather than like an advertisement. For the coupled and content, this wing delivers exactly the romance the day promises.

The rest of the population

But the catalog’s honesty is in how it serves everyone the holiday’s marketing ignores. Valentine’s Day is famously hard on the single and the heartbroken, a day when the whole culture seems to celebrate the exact thing they lack, and the anti-Valentine wing exists for them. These are the songs of defiant singleness, of self-love, of getting through a manufactured holiday that insists something is missing. This wing has grown enormously as the culture has loosened its grip on the idea that everyone must be paired, and its entries serve the large population who experience the fourteenth as pressure rather than celebration. The notes above sort the romance from the resistance.

There is a self-love wing too, distinct from the anti-Valentine defiance, and it may be the healthiest thing the modern version of the holiday has produced. These are the songs about treating yourself, about being your own valentine, about a love for oneself that does not depend on anyone else’s arrival. For a growing number of people, Valentine’s Day has been reclaimed as a day of self-celebration rather than a day of coupled obligation, and the entries above serve that reclamation. The holiday, in this reading, is not about romance at all but about love in general, including the kind that starts at home.

What the whole catalog understands is that Valentine’s Day is a mirror held up to each person’s relationship with love, and the reflection is different for everyone. For the happily coupled it is celebration; for the single by choice it is affirmation; for the single by circumstance it is pressure; for the heartbroken it is salt in a wound. The songs above meet every one of these reflections honestly, because a genuine catalog of Valentine’s music cannot pretend the day is uncomplicated. Love is not uncomplicated, and the day that celebrates it should have music for every complication. This one does.

Connected hearts

The falling that the romance wing celebrates has its own shelf at songs about falling in love. The single-and-fine position that the resistance wing takes runs through songs about being single. The heartbreak that makes the day hardest is held at songs about heartbreak, and the self-love the modern holiday embraces belongs to songs about self-worth.

If a fragment brought you here, a line about being your valentine, about a love that is real, about not needing anyone this February, and the list above does not hold it, the search bar on our home page resolves remembered words into titles quickly.

The catalog also holds a wing for the love that has lasted, and it deserves its own note. Valentine’s Day music skews heavily toward new romance, the fresh flush of falling, but a strand of entries above serves the long-married, the couples whose love has weathered decades, and these songs carry a different and deeper warmth than the swooning kind. Long love is not the breathless attraction of a first Valentine’s; it is the quieter, sturdier thing built from years of ordinary days, and the entries that honor it, the songs about still choosing each other after all this time, about a love that grew rather than faded, serve the couples the holiday’s marketing tends to forget. Readers in long partnerships report these entries meaning more than any new-romance anthem, because they describe the actual achievement: not falling in love, which is easy, but staying in it, which is the work of a lifetime.

The page closes on the mirror the day holds up, and the catalog’s refusal to pretend the reflection is the same for everyone. Valentine’s Day is a celebration for some and a trial for others and a reclaimed day of self-love for a growing many, and the honest response is music for all of it. Whatever the fourteenth means to you, coupled or single, celebrating or surviving, there is a song here that meets you where you actually are, which is more than the holiday’s marketing has ever bothered to do.